New Year's Eve, 2024. Tonopah, Nevada.
What if, after years
of trial,
a love should come
and lay a hand upon you
and say,
this late,
your life is not a crime
— Joseph Fasano
(for John)
We wake as if surprised the other is still there,
each petting the sheet to be sure.
How have we managed our way
to this bed—beholden to heat like dawn
indebted to light. Though we’re not so self-
important as to think everything
has led to this, everything has led to this.
There’s a name for the animal
love makes of us—named, I think,
like rain, for the sound it makes.
You are the animal after whom other animals
are named. Until there’s none left to laugh,
days will start with the same startle
and end with caterpillars gorged on milkweed.
O, how we entertain the angels
with our brief animation. O,
how I’ll miss you when we’re dead.
As subject to the Salon Exhibition standards of 1875, this work was denied a place
and reassigned instead to the Impressionist Exhibition in 1876.
Impressionist paintings caused the French art world and, unsurprisingly, the upper class
to bristle, as the works tended to honestly portray the condition & quality of life
for the working class, as well as accurately depicting the private needs of the bourgeoisie and
how those same needs had a detrimental effect on the proletariat.
Given all of the above, Impressionist painters were largely ignored at the time, their work remaining unsold, and all of it resulting in Impressionists struggling with their own livelihoods.
Caillebotte, who was wealthy, was also an Impressionist and understood the societal flaw in logic for what it was. Caillebotte prioritized supporting artists, and became a patron of other Impressionists by purchasing their work.
Sober Alcoholic
The enemy of my enemy lives on honeysuckle nectar and never blinks.
I took the enemy of my enemy to the creek to watch her leech sunlight from poison ivy.
The enemy of my enemy looks like she isn’t even breathing sometimes. Is she breathing?
The grass grows between the enemy of my enemy’s clenched fists, but she still won’t move.
Hell exists because the enemy of my enemy believed it into being. Heaven is her daydream.
If the enemy of my enemy could speak, she wouldn’t.
The enemy of my enemy tosses pearls into a bonfire.
When she runs out, she’ll use her own eyes.
Its history will shine with bright incidents, slight, perhaps, but precious, as in life itself, where the great matters are often as worthless as astronomical distances, and the trifles dear as the heart's blood.
—
The sailors, though they might indulge in godless behaviour, were pious in their own way; went to confession soon after they got into port, and attended mass. They lived too near the next world not to wish to stand well with it.
Willa Cather
Traditional: 1. not experimental; 2. ignorance, thanatos, octopodes, standing stones, sex work, MRIs, cavaliers, Cadillacs, rude boys, buried toys, gold fever, war fever, bone fever, baby fever, submarines, pipe dreams, body horror, paycheck horror, sign vs. signifier, black on black tattoos, "for sale: condoms, never used," cigarettes & punk music, smugglers, prairie fire, dice sharps, kissing cousins, "here there be monsters," grown folks business, border crossing, Amazons, apocalyptics, analytics, riding tigers, tiny islands, embezzlement, graffiti, hackers, holograms, huitlacoche, hot zones, outer space….
Nothing like love to put blood
back in the language,
the difference between the beach and its
discrete rocks and shards, a hard
cuneiform, and the tender cursive
of waves; bone and liquid fishegg, desert
and saltmarsh, a green push
out of death. The vowels plump
again like lips or soaked fingers, and the fingers
themselves move around these
softening pebbles as around skin. The sky's
not vacant and over there but close
against your eyes, molten, so near
you can taste it. It tastes of
salt. What touches you is what you touch.
Tram Drey made a shotgun, complete with shells, (this may initially seem redundant, but I mean shotgun shells, not crustaceans), out of crab.