Pacific, 1967 — Alex Colville

 

Phil Hale

 

Glimpse of the Sun after Rain — Ole Ring, 1934

 

Phantoms from the Sky

The Kickstarter for Phantoms from the Sky, from Rogue Owl Press, is now live. Be among the first to back the project and earn exclusive bonuses. 

I have a pretty wild story, "Nosegay," in this upcoming first contact anthology and am stoked for the opportunity to share it. I feel fortunate to work with Rogue Owl Press again, and to have my writing featured alongside other talented creators. Please check out this Kickstarter and help us reach our goals.

 

The Misery — Cristóbal Rojas, 1886

 

Stress (Desplazados) — Yoan Capote, 2019

'Stress (Desplazados)' consists of thousands of bronze-cast teeth, originally sourced from Cuban clinics and medical schools, sandwiched between two blocks of concrete.

Unknown source.

 

Towards the Hill — Ken Danby

 

Pandemonium - George Grosz, 1919

 

Secret Admirer

 

Lars Elling - Initiation, 2016

 

Bo Barlett

 

source unknown

 

Autographs

The 500 Hats of Bartholomew Cubbins, Dr. Seuss

 

White Noise, Don DeLillo

 

Fine Just the Way It Is, Annie Proulx

A Visit from the Goon Squad, Jennifer Egan

Barkskins, Annie Proulx

The Shards, Bret Easton Ellis

 

Kinder Than Man - Athea Davis

 

The Witching Hour - Andrew Wyeth

 

Farewell Glance - Gennady Dobrov, 1982

 

The Dead Miner (Mourning the Master) - Charles Christian Nahl, 1867

 

The Clay and the Potter - Aitor Frias & Cecilia Jimen

 

The Witch - John Collier, 1893

 

Ron Francis

 

Ron Francis

Captive in the Prison - Mihály Zichy, 1906 (the year of the artist's death)

 

recent activities.

 

Fish Story, at Every Day Fiction

Ephemeral Piss & Vinegar on Route 95, at The Blotter

[...] at the end of a stock, at Horrors of the Deep: An Anthology of Startling Sea Stories

Gustave Courtois, Dante and Virgil in Hell, 1879

 

Carolee Schneeman

The real dilemma of the censor is to corral the imagination and the passage of visceral insights into aesthetic and political contexts. Denying a few photographers an exhibit, canceling screenings... only heightens our necessary bite and gnaw — only to cut into layers of taboo, denial, and projection.

Night Court

 

Henri Prestes, 2021