20 January 2017

from Marilynne Robinson's Housekeeping

[...] like the pressure of water against your eardrums, and like the sounds you hear in the moment before you faint.

If one should be shown odd fragments arranged on a silver tray and be told, 'That is a splinter from the True Cross, and that is a nail paring dropped by Barabbas, and that is a bit of lint from under the bed where Pilate's wife dreamed her dream,' the very ordinariness of the things would recommend then, Every spirit passing through the world fingers the tangible and mars the mutable, and finally has come to look and not to buy.

I was always reminded of pictures, images, in places where images never were, in marble, in the blue net of veins at my wrists, in the pearled walls of seashells.

It was perhaps only from watching gulls fly like sparks up the face of clouds that dragged rain the length of the lake that I imaged such an enterprise might succeed. Or it was from watching gnats sail out of the grass, or from watching some discarded leaf gleaming at the top of the wind. Ascension seemed at such times a natural law.

She would say I fell asleep, but I did not. I simply let the darkness in the sky become coextensive with the darkness in my skull and bowels and bones. Everything that falls upon the eye is apparition, a sheet dropped over the world's true workings.

The sky above Fingerbone was a floral yellow. A few spindled clouds smoldered and glowed a most unfiery pink. And then the sun flung a long shaft over the mountain, and another, like a long-legged insect bracing itself out of its chrysalis, and then it showed above the black crest, bristly and red and improbable.

[...] and where the world was salt there would be greater need of slaking. For need can blossom into all the compensation it requires. To crave and to have are as like as a thing and its shadow.

The immense water thunked and thudded beneath my head, and I felt that our survival was owed to our slightness, that we danced through ruinous currents as dry leaves do, and were not capsized because the ruin we rode upon was meant for greater things.

And it seemed that for every pitiable crime there was an appalling accident. What with the lake and the railroads, and what with blizzards and floods and barn fires and forest fires and the general availability of shotguns and bear traps and homemade liquor and dynamite, what with the prevalence of loneliness and religion and the rages and ecstasies they induce, and the closeness of families, violence was inevitable. There were any number of fierce old stories, one like another, varying only in the details of avalanche and explosion, too sad to be told to anyone except strangers one was fairly certain not to meet again. For decades this same sheriff had been summoned like a midwife to preside over the beginnings of these stories, their births in ditches and dark places, out of the bloody loins of circumstance.

Cain killed Abel, and the blood cried out from the ground—a story so sad that even God took notice of it. Maybe it was not the sadness of the story, since worse things have happened every minute since that day, but its novelty that He found striking.

One cannot cup one's hand and drink from the rim of any lake without remembering that mothers have drowned in it, lifting their children toward the air, though they must have known as they did that soon enough the deluge would take all the children, too, even if their arms could have held them up.

[...] if you do not resist the cold, but simply relax and accept it, you no longer feel the cold as discomfort.

By some bleak alchemy what had been mere unbeing becomes death when life is mingled with it.


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